BY RACHEL SANDOR
KHALID Abdalla would hardly seem a
candidate to star in "The Kite Runner." He hadn’t read the
source novel when he auditioned for the role of Amir (the
character’s journey back to Afghanistan to atone for childhood
mistakes is the story’s main plot), didn’t speak a word of
Dari, and had acted in only one prior film. But that film was
the Oscar-nominated "United 93," and his memorable performance
as Ziad Jarrah happened to grab the right people’s attention.
Question: Were you a fan of the book before
auditioning for the role of Amir?
Khalid Abdalla: "I always wish I could
say that I read it before I was asked to audition for it, but
I hadn’t. I first heard about it when I was asked to audition
for it. But then I read it immediately. I went out and bought
two copies, in fact. I read it in a day and thought it was an
extraordinary story."
Q: You have a strong background in theater.
How does that come into play when filming a feature, like
"United 93" and "The Kite Runner?"
KA: "Obviously there’s a huge
difference between the mediums, but essentially you’re dealing
with the same material. In some ways, it’s a different way of
expressing it and you’ve got different means to do so. As an
actor, it feels kind if similar. But ‘United 93,’ it was a
totally unorthodox filming experience. Our average take was 25
minutes and our longest take was an hour and 15 minutes, which
is kind of unheard of – and it was entirely improvised. I
guess a theater background helped with that because you’re
running at it in long sequences, but each film comes with its
own challenges. The essential thing that binds them all
together is trying to tell stories for audiences, whether it’s
for theater or film. Being able to share my experience with
people is what I love."
Q: Amir is such a well-known character from
the novel. How did you approach portraying him on screen?
KA: "I guess it really started for me
after the first audition. Marc Forster called me to tell me,
‘It’s you, it’s you. But first, we have to go to Afghanistan
to find someone to play the younger Amir.’ So they went to
Afghanistan for three months to search for as many people as
they could, and a month and a half later, they found the boys.
During that time I didn’t want to get into the role, I was
being held back like a bull. I really wanted to go at it, but
I felt that if I did, I wouldn’t get the part – kind of a
superstitious feeling. Then finally with six days notice I got
a call saying, ‘We’ve found the boys. Get on the plane.’ Six
days later, I’m in Kabul.
I spent a month in Afghanistan and that
month was absolutely extraordinary and crucial. I was born in
Scotland, brought up in London, my parents are Egyptian, my
father was born in Illinois. I’d never been to Afghanistan. In
that month, I was in total immersion. I banished English
completely, had Dari lessons five hours a day. I ate
everything I had never eaten before, I went everywhere that
was referenced in the book, I built my relationship of love
with Afghanistan during that period. I did everything I could
and the reward I got at the end was being able to speak the
language, which I managed to do in a month somehow."
Q: Do you think the film will help some
people’s preconceived notions about Afghanistan?
KA: "I certainly hope so. That is
definitely what the book is about. So many people say that in
reading the book, they thought of Afghanistan in a totally
different way. I hope that when people see the film, they feel
like they traveled to Afghanistan. When you have a meeting
with someone you’ve never met before from a different country,
you never meet them through a bomb. You meet them through
their own stories and hopefully that’s what the film does."
Q: A lot of the appeal of the book has to
do with the fact that this friendship could take place
anywhere. Many readers can relate to the story, no matter
where they come from.
KA: "It’s a quintessentially American
story, just 100 years late. It’s a story of leaving your
homeland to come and make a life in America. It is a story
that so many immigrants in this country have lived through.
With my background, and this opportunity to travel to
Afghanistan, I like to think of myself as a person who is not
so interested in borders. I’m interested in people and their
stories."
Q: One of the things that struck me about
The Kite Runner is how many Afghan refugees live in this
country.
KA: "Absolutely. Afghanistan is a
country that had at one point over six million refugees. When
you think of the traumas that means for a whole country, the
journeys they’ve had to make, the family members who have died
along the way, a story like ‘The Kite Runner’ becomes a drop
in a nation. Most people don’t associate that with
Afghanistan, they think of the people that brutalized the
country rather than the people who were brutalized."
Q: The friendship between young Amir and
Hassan plays an integral part in the story, but as the adult
Amir, you don’t have any scenes with them. Did you watch their
scenes being filmed?
KA: "I was there every day. I think
there were only 10 shots that I missed. I met the boys for the
first time in Kabul. We learned how to fly kites together. I
was there each day supporting them and they came to support me
as well. We developed a special relationship."
Q: The children in the film were
incredible.
KA: "They were extraordinary. It’s a really special age
as well. It’s an incredible act of casting of well. It’s kind
of there in the book, that final moment of childhood. A
year-and-a-half later, they start becoming teenagers. And
that’s a very different age."