For more than three decades, Ramon Orlina’s
name has been synonymous to the magnificent glass sculptures in
his signature green glass and lately in an assortment of colored
glass such as azure blue, lime green and amber. Choosing to
specialize in art pieces fashioned from this difficult and
unusual medium, he has earned for himself a unique position in
Philippine art as well as global recognition.
Orlina pioneered the use of glass as an
artistic medium of expression in the Philippines. In the early
years when the glass was treated as "decorative" by the art
community, he single-handedly struggled to achieve recognition
for his glass sculptures. His efforts bore fruit and he
succeeded in elevating glass into a medium of fine art, now much
admired at home and abroad.
He was the only sculptor in the Philippines
and in the whole Asean region to sculpt from large blocks of
glass using the formidable cold method in the mid ‘70s. Since
then he has broken new ground for this medium and become a major
influence on other Filipino artists who have also ventured into
the glass medium.
Through his art Orlina promotes Filipino
cultural identity and ingenuity. His art record has not gone
unnoticed, he has gained numerous national and international
critical acclaim, respect from fellow artists, the media, and
above all art enthusiasts. His reputation extends to art circles
and patrons in Singapore, Malaysia, Indonesia, Hong Kong, Japan,
Australia, Italy, Netherlands, Germany, U.S.A. and the former
Czechoslovakia.
Through his art he promotes Filipino cultural
identity and ingenuity. His most significant works in the
country are his large-scale works which include "Oneness" which
stands at the Asean Park at the CCP Complex, a giant mural
called "Paradise Gained" at the National Museum, and the "Risen
Christ" at the EDSA Shrine. In Singapore he is known for his
monumental works, the five-meter high "Fertile Crescent" at the
Marina Park, and "Quintessence" a 4 x 2.5 meter window made of a
myriad glass facets with bronze frame at the Singapore Art
Museum.
At present, Orlina has found his way back to
his beloved alma matter, the UST where he graduated with a
Bachelor of Science in Architecture degree, and where he is
working on "Tetraglobal," an outdoor monumental work
commissioned by the University for its 400th Anniversary in
2011, to be located at the Alumni Park. It is 8.6 meters tall in
cast bronze with glass components. This celebratory project
which pays homage to the university is a major challenge for the
artist as the work is of such monumental proportions. It is
expected to be completed in 2010.
For his exhibition ongoing at Alliance
Française de Manille’s Total Gallery until July 13, 2009, Orlina
presents once more his trademark pieces in green glass with
their iridescent arches, perspectives and shapes, side by side
with lustrous sculptures in cast bronze that he has newly
created. His works in cast bronze are interesting versions in a
totally different medium of some of his favorite glass
sculptures. Although it lacks the intriguing transparency of
glass, the cast bronze artworks have captured the sinuous and
sensuous forms of his imagination.
Orlina is also a photography enthusiast and has had a solo
exhibition in this medium. In this current exhibition, he
included a recently taken winning photograph of the interior of
the Hagia Sofia (a Byzantine church that was later turned into a
mosque and is now a museum) in Istanbul. He is particularly
proud of this photograph as it is an interesting architectural
shot that is sharp with high impact taken with a Leica camera.
The subject stands out due to good lighting rendition and has a
rich, bright color balance.