ince February is
marked wantonly by vested interests as "Philippine-Japan Friendship Month," we
should clarify the basis of relations.
It seems providential that Jose Rizal, the Filipino national
hero, had a Japanese girlfriend, O-Sei-San, thereby providing the two nations a
pair of symbols of close ties.
But it was a love affair that was not meant to be, as Rizal
himself laments: "Sayonara, sayonara! You will never come to know that I have
thought of you again nor that your image lives in my memory; and nevertheless I
always think of you. Your name lives in the sighs of my lips; your image
accompanies and animates all my thoughts. When shall another divine afternoon
like that in the temple of Megaro return? When will the sweet hours I spent with
you return? When shall there be sweeter, more tranquil, more pleasant hours? You
have the colors of the Camellia, its freshness, its elegance...Ah! The last
descendant of a noble family, true to an unfortunate vengeance, you are
beautiful like...everything is finished! Sayonara, sayonara!"
Rizal was delighted with his Japanese paramour, but it did
not blind him to the strengths and weaknesses of the theocratic "empire" of the
Yamato. In the same year (1889) that Rizal’s farseeing essay ("The Philippines a
Century Hence") came out, the Japanese Constitution was promulgated, providing
for the emperor as the fountainhead of all authority. A year later, "the first
elections were held but only about one per cent of the total population had the
right to vote." [Ichiro Kawasaki. Japan Unmasked. Tokyo: Charles E. Tuttle
Company, 1969]
This was the "kokutai" – Japan’s national system that had for
its core an all-powerful emperor who was subject to no one but the gods.
As Rizal correctly foresaw, the imperialist Japanese did
invade his country within the prescribed 100 years. Kodo, the Japanese Imperial
Way, was not the Filipino way, not the Christian way, not the ways of democracy.
The "kunsoku no kan" ("the evil ones close to the throne") plotted to subjugate
Asia-Pacific in the name of Showa (Emperor Hirohito).
According to Japanese Imperial Army General Sadao Araki, "the
true mission of Japan is to spread the Imperial Way to the Four Corners."
[Sidney C. Moody, Jr. and the Photographers of the Associated Press. War against
Japan. Novato, California: The Associated Press, 1994]
Kodo, the Japanese Imperial Way, begot the Rape of Nanking,
the sneak attack on Pearl Harbor, the Bataan Death March and the Lipa Massacre,
among other brutalities.
Then there was the Rape of Manila that occurred in February
1945. How many Filipinos, how many Japanese are aware of this horrible event?
Those who want to know are urged to watch "Manila 1945," a
Filipino-American production that showcases files and film footages from the
United States National Archives, captured Japanese documents and interviews of
survivors. This painstaking documentary, which was released on DVD to
memorialize the 60th anniversary of the "forgotten atrocities," attempts to
remedy the collective amnesia of the adults and to inform the post-war
generations.
Narrated by Cesar Montano, the documentary identifies the
Japanese High Command as the fountainhead of the massacre of Manilans. Residents
of the capital city, more than 100,000 non-combatants, were killed, even as
their homes and livelihood were devastated.
The enormity of the Japanese war crime, only a smidgen of
which could be encapsulated on film by the Spyron AV Manila production, is
aggravated by the non-stop campaign of Japanese rightists today to deny its
validity. The 1945 Japanese Rape of Manila is ignored in Japanese schools,
expunged from Japanese textbooks, overshadowed by Japanese anime and comic
books.
"Manila 1945: The Forgotten Atrocities" is a cautionary tale
for the Filipinos who work for, negotiate against and fall in love with
Japanese. Take heed and secure DVD copies of the documentary at the Ayala Museum
in Makati and the Solidaridad Bookshop in Ermita, Manila. Or log on
www.chickparsons.com. You can also email the producers: luckyg@ciphercom.net and
cynthia_dyram@yahoo.com. This is the same outfit that produced "Secret War in
the Pacific."
The Japanese Occupation of the Philippines and Tokyo’s
unceasing drive for a global power status has spawned other unresolved issues
and more irritants between the nations of Rizal and O-Sei-San.
The tied loans spun as official development assistance, the
continuing injustice to the surviving comfort women, the japayuki phenomenon,
and the colonial pattern of trade redden "Philippine-Japan Friendship" as a
power relationship.
Godzilla corporations, Yakuza, unrepentant militarists. Are they friends of
Filipino labor, Filipino consumers, Filipino entrepreneurs?