By WINNIE VELASQUEZ
It took him some time to pursue his first love – painting but PJ
Jalandoni was just biding his time. After graduating with an
accounting degree and going into business, he kept his love
affair with the muse by hanging around with his artist friends,
attending an art workshop or two, and building an art collection
along the way.
In time, his friends told him that since he
has a very good eye for art, he should take up painting himself.
Now in his mid-thirties, he is enrolled at the UP College of
Fine Arts and has been working alongside his much younger
classmates, relishing the interaction and creative stimulation.
"Face Value" is his first solo show and may
be viewed until tomorrow at Gallery Nine at SM Megamall Artwalk.
On exhibit are six huge oils paintings (5 ft.
x 4 ft.) all done in black and white. The images leap out of the
walls and grab the viewer, pulling him into the gallery.
"I purposely worked with black and white to
make a statement, to define my work. I want to emphasize not so
much technique but tonal valuations to bring out the nuances of
the subject," he says.
A photography enthusiast, Jalandoni saw an
old magazine in a vintage shop and found inspiration in the old
black and white portraits.
He counts Titian as well as contemporary
artists Chuck Close and Jenny Saville as major influences.
"These are post painterly paintings
reinventing themselves in the whirlpool of the present. It is
like returning painting to its origin at the same time making it
new. It is as though a Titian had mated with a Chuck Close
before our eyes and it was a love match. A return to painting
mediated by photograph but not in a simple way," he says.
"In this day of digital photography, we
rarely see black and white portraits. What I did was to use the
images in those old photographs and combine them with elements
of contemporary art. The effect of light and shadow achieved
with strong tonal contrast reveals a soft side rarely offered to
cameras," Jalandoni adds.
The six portraits on exhibit show varying degrees of
intensity and a whimsical approach to his subject matter. Much
like how a photographer of old would work in his darkroom to
create drama in his photographs, Jalandoni wields his brush to
bring his subjects to life using a strong sidelight to throw
their features into relief. What results are larger than life
painterly photographs that leave a lasting imprint in the
viewer’s mind.
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