By Bob Tourtellotte
LOS ANGELES - Born of Hollywood, acting as a
teenager, Oscar-nominated by age 19, Leonardo DiCaprio is a
product of the film studio’s star-making machine.
He made young women swoon in the biggest box
office hit of all-time, 1997’s "Titanic," but his youthful looks
meant the transition to strong, leading man roles would be
difficult. Yet, as he left his 20s and entered his 30s, he
earned Oscar nominations for playing Howard Hughes in 2004’s
"The Aviator" and two years later, a gem smuggler in "Blood
Diamond."
He has become an activist for environmental
issues, making a global warming documentary, "The 11th Hour."
Donald De Line, producer of DiCaprio’s new
spy thriller "Body of Lies" dealing with the CIA and the wars in
Afghanistan and Iraq, called him "an intellectually curious man
who has a mature world view and way of looking at things."
DiCaprio spoke about "Body of Lies," in which
he plays a CIA agent trying to make sense of his life inside the
agency.
As you’ve grown older, has it been important
to take movie roles that have something to say to audiences?
"Blood Diamond" delivered a message, as does "Body of Lies."
Leonardo DiCaprio: Absolutely. You are
unconsciously drawn toward subject matters like that. They are
exciting and slightly dangerous and provocative. That doesn’t
always mean that people a) are going to want to see them, or b)
they are going to be quality pieces, or c) they’ll have any kind
of impact whatsoever. First of all you have to make a good movie
that is entertaining. Then you have to say, ‘Now let’s talk
about the politics.’ If you do a film just for the sake of
making a statement to the world — which I don’t think this movie
is — and people don’t see, it’s a profound waste of time.
When do movies preach too much?
DiCaprio: You have to check your own
politics at the door. You have to search for the truth, and use
what the research shows is most realistic. In ‘Body of Lies,’
we’ve used collective stories and operations that, allegedly,
did happen. But there has to be entertainment value, too.
The message seemed to be that evil begets
more evil, whatever side you’re on.
DiCaprio: That’s what I liked about my
character. He’s a highly trained CIA agent. But if you were put
in some of the situations he is, you could identify with his
moral dilemmas — trying to be honorable and loyal to your
country but at the same time be a good person when everyone is
deceiving everyone else. There is a moral compass
in him people can identify with.
What’s the update on you and activism?
DiCaprio: I have the Greensburg project,
which is rebuilding an entire city in Kansas. I’m continuing to
work with outreach programs. The most profound lesson I’ve
learned in all of this work is that people don’t want to be told
what to do or how to think. My big message on this next election
is, hopefully, the youth movement will come out in full force —
enough young people who care about the policies of the next 50
years will vote for the candidate they think best represents the
United States. That is the big push that I’m on now.
It seems that for you giving back is as
important as getting. Why?
DiCaprio: You work on these movies and you’re creating
fantasy all the time. When you come back to the real world, you
realize the problems that are out there and if you can give any
kind of help or insight on these issues, it’s something that
fulfills you, that’s all. It fulfills you, and it’s a great
feeling to know you are possibly contributing some small element
to helping the world be a better place.